Federico Churba

Federico Churba graduated from the industrial design program at the University of Buenos Aires in 2001, right on the cusp of Argentina’s economic crisis and the collapse of its peso. His country’s reduced reliance on imports and shift to domestic industry meant a short testing period for young designers. “There was a strong pull to start producing immediately and showing the world what we could do,” says Churba. From the beginning, he was interested in manipulating material and forms to create simple, newly iconic shapes. An early influence was Vico Magistretti and his 1986 Vidun table, whose height-adjustable base is an outsized wooden screw.

Churba collaborated with other young designers until founding his own practice in 2008. Soon afterward, a Buenos Aires store featuring B&B Italia and Flexform inquired about selling his work, and he challenged himself to stand out from the Italians. "I decided to look for my identity in my city," he says. In small towns on the fringes of Buenos Aires, he photographed concrete water tubes being used as flowerpots, tables, and containers. They inspired his Pluvial tables, made using molds he discovered in a spun-aluminum factory. The series of convex and concave shapes can be configured in many combinations, echoing his countrymen’s makeshift use of the aforementioned tubes.

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Caroline Tiger
Caroline Tiger is a Philadelphia-based writer who covers design and culture. Her columns, Making It and Consumed, appear each month in the Philadelphia Inquirer.

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