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Collection by Tadashi Suzuki

19

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The cabin is lined in cypress.
The cabin is lined in cypress.
Lightweight hurricane flaps can be raised and lowered over screened openings to control air flow. “When you’re in the house and the flaps are open, it’s almost like you’re outside,” says Mark. The hammock is from IKEA.
Lightweight hurricane flaps can be raised and lowered over screened openings to control air flow. “When you’re in the house and the flaps are open, it’s almost like you’re outside,” says Mark. The hammock is from IKEA.
The bedroom is accessed from the breezeway.
The bedroom is accessed from the breezeway.
Kate sits in the living room, which is outfitted with vintage Eames and Jens Risom chairs.
Kate sits in the living room, which is outfitted with vintage Eames and Jens Risom chairs.
The kitchen includes a 1970s Burke tulip table, vintage chairs by Kai Kristiansen, and a George Nelson Saucer Bubble pendant from Herman Miller.
The kitchen includes a 1970s Burke tulip table, vintage chairs by Kai Kristiansen, and a George Nelson Saucer Bubble pendant from Herman Miller.
On the Bahamian island of Eleuthera, a 110-mile sliver of land known for its pink-sand beaches and laid-back vibe, an off-the-grid cabin serves as a getaway for Mark and Kate Ingraham and their 13-year-old daughter.
On the Bahamian island of Eleuthera, a 110-mile sliver of land known for its pink-sand beaches and laid-back vibe, an off-the-grid cabin serves as a getaway for Mark and Kate Ingraham and their 13-year-old daughter.
A pared-down cabin on Eleuthera island was designed as an off- the-grid retreat for Mark and Kate Ingraham and their daughter. Envisioning “a simple box rest- ing lightly on the land,” architect Jacob Brillhart specified natural materials like Western red cedar so that the structure would fade into the landscape. Bahamian builder Cecil McCardy and his crew used machetes to clear the remote site.
A pared-down cabin on Eleuthera island was designed as an off- the-grid retreat for Mark and Kate Ingraham and their daughter. Envisioning “a simple box rest- ing lightly on the land,” architect Jacob Brillhart specified natural materials like Western red cedar so that the structure would fade into the landscape. Bahamian builder Cecil McCardy and his crew used machetes to clear the remote site.