Collection by Denise Price
“Describing a feeling or way of living in our home was always important, as the color and texture palette was always chosen based on our natural surroundings,” says Teegan.
“Describing a feeling or way of living in our home was always important, as the color and texture palette was always chosen based on our natural surroundings,” says Teegan.
A walnut slat wall creates a protected nook for an office, in what used to be dead space. The white built-ins around the television are designed to “fade into the background,” says Amornvivat, and the team utilized custom open and closed storage throughout. “We have to get the right mix between the two to make the project sing,” says Amornvivat.
A walnut slat wall creates a protected nook for an office, in what used to be dead space. The white built-ins around the television are designed to “fade into the background,” says Amornvivat, and the team utilized custom open and closed storage throughout. “We have to get the right mix between the two to make the project sing,” says Amornvivat.
"We used three-quarter-inch Baltic birch plywood with a water-based polyurethane finish for all of the custom woodwork,
"We used three-quarter-inch Baltic birch plywood with a water-based polyurethane finish for all of the custom woodwork,
In Marita’s bedroom, the wainscoting is Sherwin Williams "Decisive Yellow,
In Marita’s bedroom, the wainscoting is Sherwin Williams "Decisive Yellow,
Marita painted the kitchen floor in a checked pattern, and added Rifle Paper Co “Peacock Wallpaper” in Emerald to go with the kitchen cabinets painted Benjamin Moore "Forest Green.
Marita painted the kitchen floor in a checked pattern, and added Rifle Paper Co “Peacock Wallpaper” in Emerald to go with the kitchen cabinets painted Benjamin Moore "Forest Green.
In the living room of her Seattle home, Marita White combined Hygge and West’s “Bloom Wallpaper” with Sherwin Williams “Hopeful” on the wainscot, and Clare’s “Rosé Season” on the ceiling.
In the living room of her Seattle home, Marita White combined Hygge and West’s “Bloom Wallpaper” with Sherwin Williams “Hopeful” on the wainscot, and Clare’s “Rosé Season” on the ceiling.