Collection by Christine

new house

When arriving at the property, a sign directs guests down one path for the workspaces (The Loft) and another for the guesthouse (The House). "We knew that having separate entrances and not connecting the spaces internally would be the trick to keeping each space separate and private," says Tarah. "We spent a lot of time thinking through the walking paths that led to each space and considering how to make them cohesive while serving different functions."
When arriving at the property, a sign directs guests down one path for the workspaces (The Loft) and another for the guesthouse (The House). "We knew that having separate entrances and not connecting the spaces internally would be the trick to keeping each space separate and private," says Tarah. "We spent a lot of time thinking through the walking paths that led to each space and considering how to make them cohesive while serving different functions."
On an undulating stretch of California coastline, a hidden guesthouse runs free of the grid. "The house is elemental," says project architect Dan Weber of Santa Barbara–based firm Anacapa, who collaborated on the project with designer Steve Willson. "We endeavored to make it out of materials that would wear and take on a patina over time, so they could feel like part of the landscape." Unfinished steel, board-formed concrete, and glass continue inside, where rich black walnut—used for ceilings, cabinetry, and furniture—provides an inviting contrast. "On a foggy day, you want that feeling of warmth around you," says Margaret. Brass fixtures complement the deep-hued wood.
On an undulating stretch of California coastline, a hidden guesthouse runs free of the grid. "The house is elemental," says project architect Dan Weber of Santa Barbara–based firm Anacapa, who collaborated on the project with designer Steve Willson. "We endeavored to make it out of materials that would wear and take on a patina over time, so they could feel like part of the landscape." Unfinished steel, board-formed concrete, and glass continue inside, where rich black walnut—used for ceilings, cabinetry, and furniture—provides an inviting contrast. "On a foggy day, you want that feeling of warmth around you," says Margaret. Brass fixtures complement the deep-hued wood.
A chandelier by Lindsey Adelman hangs overhead. The floor-to-ceiling windows throughout are by Fleetwood Windows.
A chandelier by Lindsey Adelman hangs overhead. The floor-to-ceiling windows throughout are by Fleetwood Windows.
Handmade leather Fernando chairs by Jayson Home surround a live-edge custom walnut table by Ben Riddering in the dining area.
Handmade leather Fernando chairs by Jayson Home surround a live-edge custom walnut table by Ben Riddering in the dining area.
A modern farmhouse outside Tahoe National Forest stands as a vacation home and gallery for the owner’s art. Designed by architect Clare Walton, Martis Camp House consists of four gable forms divided by stone-clad volumes. Inside, the spaces are a collaboration between the owner, an artist and art collector, and interior designer Brittany Haines of ABD Studio. A departure from the owner’s main residence that exudes a more traditional style, the summer and winter getaway is teeming with bespoke furniture, vintage finds, and personal art.
A modern farmhouse outside Tahoe National Forest stands as a vacation home and gallery for the owner’s art. Designed by architect Clare Walton, Martis Camp House consists of four gable forms divided by stone-clad volumes. Inside, the spaces are a collaboration between the owner, an artist and art collector, and interior designer Brittany Haines of ABD Studio. A departure from the owner’s main residence that exudes a more traditional style, the summer and winter getaway is teeming with bespoke furniture, vintage finds, and personal art.