Living Room Chair Recliner Design Photos and Ideas

The floors are polished concrete, a money-saving move that allowed for splurges like the floor-to-ceiling windows from Chicago Tempered Glass set in Tubelite frames.
In the living room, an Eames lounge chair 

is matched with a Richard Conover–designed fiberglass chair in similar proportions. A custom coffee table by Asher Israelow com-plements the industrial lighting by Workstead, affixed to walls painted in Farrow and Ball’s Manor House Gray. The sliding doors leading into the home office were fabricated by Markus Bartenschlager.
Brothers Nima and Soheil relax in the family room on an Eames lounge chair and a custom sofa they designed. “Mid-century architecture draws the outdoor environment indoors,” says Soheil. “There’s a lot of natural light, a lot of ventilation.”
This open-concept Amsterdam loft features soaring 15-foot ceilings, an Eames lounge chair and ottoman, and a Jielde light. Throughout the home, Standard Studio architects Wouter Slot and Jurjen van Hulzen favored raw materials, including concrete, oiled oak, and hot-rolled steel, all of which complemented the original space's industrial feel. Tucked smartly underneath the loft, a compact home office features functional built-in shelving and an Eames DSR chair.
Amanda got rid of the mirrored wall and installed FLOS AIM Pendant Lights in the living room.
Ben Koush has amassed a collection of new and vintage furniture that complements the few pieces he designed himself, like side tables and art stands in the living room.
Little Kulala Lodge is the ultimate destination for modern desert luxury. It’s strategically located on the private Kulala Wilderness Reserve at the foot of Sossusvlei desert.
To make the interior of their 12-foot-wide Brooklyn home feel larger, designers Ed Parker and Barbara Tutino Parker used Farrow & Ball paint in All White for the floors and applied Benjamin Moore Super White with a flat finish to the walls. They also rearranged the floor plan.
The master bedroom is defined on the north side by a series of indoor louvers, which allow the couple to frame and manage their views.
The Kelleys furnished the cottage with help from Suzanne’s daughter Betsy Burbank of Betsy Burbank Interiors. Classic modernist icons, such as a Saarinen Womb chair for Knoll, a Herman Miller Eames lounge chair, and an Eileen Grey E1027 side table look at home alongside present-day pieces such as an Encore sofa (which handily folds down into a sleeping surface) from Room & Board and a Doka rug designed and produced by Stephanie Odegard. The Wohlert pendant lights from Louis Poulsen were designed by Vilhelm Wohlert in 1959, but grouped as such, they appear distinctly contemporary.
The Schaffer's furniture includes an Eames Aluminum Group lounge chair ("and ottoman!" adds Im.) A coffee table made of glued, corrugated cardboard was the couple's first project together, when they met in college eight years ago.
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