Exterior Brick Siding Material Flat Roofline Shingles Roof Material Design Photos and Ideas

Aalto designed Maison Louis Carré with an immense lean-to roof made of blue Normandy slate, "pitched in imitation of the landscape itself". The facade is built from white bricks and marble, while the base and parts of the walls are Chartres limestone.
Located in Providence, Rhode Island, the American Woolens Dye house is a brick and timber structure that was originally built in 1880. The building is listed on the National Register of Historic Places, and it served as a textile mill before a thoughtful and extensive renovation transformed the property into a gorgeous live/work space.
The firm worked with landscape design company Alchemie to plan the landscaping and create a variety of seating areas throughout the property.
The addition houses a kitchen and family room on the main level, and the master bedroom and roof deck above. Sliding glass doors now allow generous sightlines to the yard, and also convey a lightness to the new architecture that contrasts with the character of the old.
For the new addition, new brick syncs with the old, while blackened steel provides a modern counterpoint to the historic facade.
The classic four-story townhouse is located on a block in the recently expanded Park Slope Historic District.
An open brick courtyard defines the entry to the home.
The rear view of the home.
The sturdy brick home was designed by Australian midcentury architects Payne & Hunt.
The remodel kept the kitchen and living room in the front Cinderella cottage, but it converted the children's bedroom into a den. MYD Studio updated the facade of the original cottage to blend with the new contemporary profile.
Massive wooden fence, which is a stripe, is on the background of a brick house, which is a square.
Hide&Seek Game. Location of the windows and their size is not designer’s imagination.
However, in this architectural project, you can feel reasonable composition.
YUN Architecture carefully restored the exterior of the house with new windows, dormers, and wood frames.
exterior
“To be able to respect the ‘massiveness’ of the roof, making bigger windows would be wrong, because we would lose the character of the farm,” Wynants explains. “Therefore, I was looking for other ways to collect light. At this spot you had the big barn doors at both sides: This is the economical axis of the farm. This I kept, as my own design office is right under this volume. It keeps the sun out, so I have a splendid view when I’m working—I never need sun shades.”