Here’s How to Deck Out Your Home Like a Breezy Palm Springs Midcentury

Cultivate a sunny state of mind with these pieces that channel Palm Springs’ brand of midcentury modernism.

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Evoke the timeless aesthetic that the likes of Donald Wexler, William Krisel, and Charles DuBois solidified in this desert landscape with midcentury modern furnishings that privilege clean lines and bold colors.

Living Room

The Buzyn residence features an open-plan interior.

Photo Courtesy of Darren Bradley and James Schnepf from William Krisel’s Palm Springs; reprinted by permission of Gibbs Smith

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Knoll Womb Chair and Ottoman

When Florence Knoll challenged Eero Saarinen to create a chair that she could curl up in, she found the right candidate for the task. The Womb Chair and Ottoman (1946) feature enveloping forms that continue as one of the most iconic representations of midcentury organic modernism. Applying foam molded over a fiberglass shell created a single-piece form that perfectly facilitates a relaxed posture. Manufactured by Knoll according to the original specifications of the designer. Made in U.S.A.

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Herman Miller Nelson Saucer Bubble Pendant

While outfitting his office, architect and Herman Miller design director George Nelson discovered a silk-covered Swedish hanging lamp that he coveted but found too expensive. He then recalled seeing a photo in the paper of Liberty ships being mothballed “by having the decks covered with netting and then being sprayed with a self-webbing plastic,” which got him thinking. “And then, Whammo!” Inspiration struck, and by the next night, Nelson had designed his first Bubble Lamp (1952) by spinning a skeleton of steel wires on a turntable and shooting it with translucent plastic until it was covered in a smooth, washable film. “When you put a light in it, it glowed,” he said. This is the authentic Bubble Lamp, produced in partnership with the George Nelson Foundation. Bulb (not included): LED, CFL or incandescent; E26 base; 60W max for small, 150W max for others. UL Listed. Made in U.S.A.

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Finn Juhl Credenza

After studying at the famous Royal Danish Academy of Fine Arts in Copenhagen and working for architect Vilhelm Lauritzen, Finn Juhl set up his own design office in 1945. Later that year, Juhl and master cabinetmaker Niels Voder, collaborators since 1937, created a buzz at the Cabinetmakers’ Guild exhibition with their expressive, sculptural pieces. In 1951, Juhl went on to make his stateside debut at the Good Design exhibit in Chicago and at MoMA in New York, and he represented Denmark in designing a meeting chamber at United Nations Headquarters. The trained architect and self-taught furniture designer drew the inspiration for his Finn Juhl Credenza (1955) from the cubist movement and Goethe’s color wheel, reflected in the piece’s simple geometric shapes and interlocking planes and its sliding doors and six trays finished in varying shades of blue lacquer. The left interior has two adjustable shelves, the right an open compartment next to the one for the trays. Holding the walnut body, the hand-burnished steel frame with wooden feet lends the piece airiness. Ships fully assembled. This original is an authentic, fully licensed product of House of Finn Juhl™. Made in Denmark. Photo Courtesy of Design Within Reach

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"The home has an unusual resonance when you see it," says Kaufmann house owner Brent Harris. "It has a volumetric, spatial beauty that changes throughout the day, particularly at twilight. There are a lot of great Neutra houses, but this has different feel entirely. It's very photogenic."

Photo: Tim Street-Porter

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The home features terrazzo flooring throughout.

Photo by Dan Chavkin

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Knoll Saarinen Tulip Armless Chair

When Eero Saarinen designed his Pedestal Collection for Knoll in 1956, he created an alternative to the "ugly, confusing, unrestful world" that he thought tables and chairs had become known for. The Tulip Chair—available with or without arms—sits on a cast-aluminum base that was inspired by a drop of high-viscosity liquid and can be topped with a black or white Rilsan®-coated finish. The molded fiberglass shell seat swivels so that it’s easy to slide in and out from a table. Since Saarinen saw himself as a “form giver,” his design was inevitably sculptural—and has become an iconic silhouette used throughout modern homes. Each Tulip Chair is stamped with Saarinen’s signature and the KnollStudio logo.

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Knoll Barcelona Couch

Ludwig Mies van der Rohe’s Barcelona Couch (1930) was added to his Barcelona Collection in the year following the introduction of the Chair and Stool. Still produced to his original specifications, the couch gained widespread popularity in 1953, when architect Philip Johnson selected it for his New York apartment. The cushions – welting and buttons included – come from a single Spinneybeck Volo cowhide and are supported by cowhide belting straps. To create the deep, precise tufting, individual panels of leather are cut, hand-welted and hand-tufted. The frame is made from African mahogany sapele hardwood, with stainless steel legs. The bolster cushion is crafted from coordinating leather and secured to the couch with straps and locking snaps. The Barcelona Couch is a registered trademark of Knoll, Inc., manufactured by Knoll according to the original and exacting specifications of the designer. Made in U.S.A. Photo courtesy of Design Within Reach

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Knoll Barcelona Chair

When Ludwig Mies van der Rohe was chosen to create the furnishings for the German Pavilion at the 1929 International Exhibition in Barcelona, he designed an iconic chair that many may not realize was born with royal roots. He built the Barcelona Chair to serve as seating for the king and queen of Spain, while he also designed a stool for the attendees to rest on. He formed an angular, tufted cushion that comes from a single cowhide—either Spinneybeck® or Edelman Leather. The support is made of cowhide belting straps that are dyed to match the color of the chair. In order to create such precise tufting, 40 leather panels are cut individually and are both hand-welted and hand-tufted with leather buttons. In 1953, Mies van der Rohe officially granted the production rights to Florence Knoll, who was a close friend during their time at the Illinois Institute of Technology. Today, Knoll continues to produce the chair in the U.S.A. to the exact specifications of the original design. Photo Courtesy of Knoll

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An alternate view of the living space and wood-paneled fireplace.

Photo Courtesy of Compass Realty

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Louis Poulsen PH 5 Mini Pendant

The PH 5 Mini Pendant by Louis Poulsen was designed by Poul Henningsen in 1958 to create glare-free light. With multiple finishes to choose from, hanging the pendant anywhere is easy. The pendant uses three shades. Because of this, the light is illuminated downward and out, creating a sense that it is lighting itself.

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Knoll Platner Lounge Chair

As America entered into the 1960s, modernism started becoming more expressive, and designers began to celebrate more decorative, graceful shapes. After a stint of working for Eero Saarinen and Associates, designer Warren Platner became known for producing the second generation of pedestal and wire furniture. In 1966, the Platner Lounge Chair was born, which came from an effort to bring these more gentle designs to the home—similar to the period style of Louis XV, but with “a more rational base.” Knoll reports Platner’s reasoning: “I thought, why separate support from the object. Just make it all one thing.” To create this enveloping structure, he worked with Knoll to produce a base that’s made by welding vertical steel rods into circular and semicircular frames. The shell is constructed of molded fiberglass and holds molded latex foam cushions. Available in a range of upholstery options, the collection also includes the Arm Chair, Easy Chair, and Coffee Table—all of which can be purchased in a gold finish. Photo courtesy of Knoll

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FLOS Glo-Ball Floor Lamp

The Flos Glo-Ball Floor Lamp was designed by Jasper Morrison with elegant, modern simplicity suitable to any contemporary interior. The careful craftsmanship of the blown White glass shade is fully revealed—and enhanced—when illuminated. This glowing orb is supported and complemented by the Silver-finished metal base.

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The sitting room features a central fireplace framed by marble and warm wood, a wall of glass, and the original terrazzo floors.

Photos by Nuvue Interactive

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Florence Knoll Sofa

Florence Knoll Bassett took a holistic view of interior space planning. As director of the Knoll Planning Unit in the 1950s, her "total design" approach embraced everything about a space – including the furniture. She modestly referred to her furniture designs as the "meat and potatoes" of an interior, yet to this day they hold the same iconic American appeal as that most basic and functional of meals. Her Lounge Collection (1954) has the simple, architectural lines and unparalleled construction of all modern classics. This Sofa is manufactured by Knoll® according to the original and exacting specifications of the designer. Photo Courtesy of DWR

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Cassina LC1 Sling Chair

Sleek and elemental, the LC1 Chair (1928) exemplifies Le Corbusier’s concept of “equipment de l’habitation.” The backrest, attached to the frame by a rod that allows the angle of tilt to change, moves as you shift, offering continuous support. The LC1 is included in the design collection of MoMA. Each piece is signed, numbered, and as a product of Cassina's Masters Collection manufactured by Cassina under exclusive worldwide license from the Le Corbusier Foundation. Made in Italy.

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Atlas of Mid-Century Modern Houses

The most complete in-depth survey of global midcentury modern homes ever published—more than 400 stunning homes from 40 countries, designed by more than 290 of the world’s greatest architects. The love of midcentury style is at an all-time high, with a steady flow of exhibitions, house tours, and books celebrating its unique cross- generational appeal. This collection of more than 400 of the world’s most glamorous homes from more than 290 architects, showcases work built between the 1940s and 1960s by such icons as Marcel Breuer, Le Corbusier, Richard Neutra, Lina Bo Bardi, Alvar Aalto, and Oscar Niemeyer alongside extraordinary but virtually unknown houses in Australia, Africa, and Asia. This stunning and thoroughly researched, comprehensive appraisal is a must-have for all design aficionados, midcentury modern collectors, and anyone looking for inspiration for their own homes.

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The interiors fully embrace the midcentury aesthetic, with high-beamed ceilings, slate floors, custom wood flooring, and a split rock fireplace.

Photo Courtesy of The Agency

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Herman Miller Noguchi Table

Following his apprenticeship with the legendary Constantin Brancusi, sculptor Isamu Noguchi began to experiment in environmental design, theatrical sets – he was the only designer that choreographer Martha Graham would work with – and, eventually, product design. He created his first furniture prototypes for Herman Miller in 1942 and went on to work with companies such as Steuben and Zenith. The Noguchi Table (1948) conceals nothing, revealing everything about the nature of simplicity. Two smoothly shaped pieces of solid wood interlock to form a tripod that supports a thick glass tabletop. The base is available in black, walnut, natural cherry and white ash, the latter of which is finished with a process that arrests the wood in its freshly cut state, resulting in a creamy white color that will not turn yellow over time. This is the authentic Noguchi Table by Herman Miller. Made in U.S.A.

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Yellow Eames Rocker by Laura Browning Print

"Yellow Eames Rocker was inspired by the iconic chair designed by Charles & Ray Eames in 1948," says the artist. "Growing up in California, I have long been inspired by the nostalgic idea of the classic California dream from the mid-20th century. This concept has become abstracted a bit as I have moved from painting objects and architecture and into capturing the essence of light in water, but the feeling they evoke are still very much reminiscent of a sunny summer day. Each piece is directly inspired by a particular experience, and is for me a vivid memory of the moment of inspiration. I feel the most alive when exploring new places, and as a result my work is a direct reflection of the moments when life is at it’s best. Photo Courtesy of Minted

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Dining Room

Many of the home’s original finishes could not be salvaged, including the walnut plywood in the dining area and kitchen. The siding was replaced with a fresh veneer of the same wood. Recessed baseboards give the kitchen island, topped with a Whitehall Cambria countertop, the appearance that it is levitating. The gilded hanging lamp by Peill & Putlzer was purchased secondhand in France.   

Photo: Joe Schmelzer

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Palm Springs Modern: Houses in the California Desert

This classic volume, now available at a lower price, showcases jet-set homes designed by the likes of Neutra, Frey, Lautner, and others. Palm Springs is famous as a mecca for the international jet set. But the city has also attracted its share of eccentrics and mavericks who have left an architectural legacy that remains unsurpassed for its originality and international influence. This book examines the impact that architects and designers have had on the desert oasis, primarily from the 1940s to the 1960s. Palm Springs Modern features examples of midcentury modernism at its most glamorous, some of them the residences of prominent figures who commissioned weekend getaways in the desert, including Frank Sinatra, Walter Annenberg, and Raymond Loewy. Adéle Cygelman’s insightful text, a foreword by architectural historian Joseph Rosa, contemporary color photography by David Glomb, and the celebrated archival black-and-white work of Julius Shulman all capture the distinctly modern allure of America’s famed desert playground.

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Oversized, full-height glass sliding doors provide easy access to the patio and a strong indoor-outdoor connection. The original terrazzo floors flow directly into the outdoors.

Photos by Nuvue Interactive

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Case Cross Fixed Table

After earning his degree in furniture design from Kingston Polytechnic in 1979, Matthew Hilton opened a design studio in London, and he’s been creating innovative, classic pieces ever since. The Cross Fixed Table (2005) is crafted with the designer’s trademark splayed-leg base for an impressive combination of legroom and stability. The fixed (by which we mean non-expanding) tabletop is finished with a solid wood chamfered edge for comfort and durability. Depending on size of chairs, this table seats up to eight people. Walnut table made in Malaysia, oak in Lithuania.

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Case Narin Folding Chair

If David Irwin hadn’t become a designer, he’d be working as a chef. Fortunately, he kept his focus locked on front of house with his Narin Folding Chair (2016). Irwin was determined to ensure this folding chair would be as comfortable as a non-folding one, and he insisted that it be made of wood. “I wanted to create something you’d want to live with for 40 years,” he explains. “I didn’t want to create just another throwaway chair.” This organic form delivers both comfort and appeal, especially in how its turned legs transition into a formed backrest. Made in Thailand.

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Case Dulwich Extension Table

Since graduating from London’s Kingston Polytechnic in 1979, Matthew Hilton has built a following for his innovative furniture and lighting, with pieces held in the permanent collections of London’s Geffrye and Victoria & Albert Museums, among others. His Dulwich Extension Table (2016) - pronounced “dull-itch,” just like its London neighbor Greenwich - is a masterclass in function and craft. The piece’s slender legs draw outward from the corners, maximizing user legroom, while details like mitered joints and visible through-tenons speak to its artistry. Finished with a solid-wood edge banding for durability, the tabletop has a locking steel mechanism that easily opens to accommodate the table’s additional leaves. The rectangular table is made in Malaysia (walnut) or Lithuania (oak), and the round one in Thailand.

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Kitchen

The kitchen has been updated with a vintage vibe and seamlessly integrates into the home's clean midcentury style.

Photos by Nuvue Interactive

The kitchen was restored in 2001 following guidelines from its original configuration.

Photo by Dan Chavkin

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Hip Haven Bullet Planter

Originally manufactured by several companies in the 1950s, the Bullet Planter (2011) was never trademarked, and its designer never identified. One version of the story attributes its creation to a resourceful man who worked for a company that produced satellite dishes. When he brought one home, his wife found it made a perfect planter. This planter is still made from durable, compression-molded fiberglass, perched atop a tripod of powder-coated steel. Made in U.S.A.

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Herman Miller Nelson Platform Bench

For Herman Miller's influential design director George Nelson, utility was as important as beauty. Originally designed for his own office, where Nelson hoped the slatted top would discourage visitors from sitting too long, the Platform Bench (1946) is both timeless and functional. Available with finger-jointed wood base or slender chromed metal legs for superior strength. This is the authentic Nelson Bench produced by Herman Miller. Made in U.S.A.

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Mid-Century Modern: Icons of Design

This gift book, featuring sophisticated illustrations of classic pieces, is a must- have for lovers of Mid-Century Modern design. Mid-Century Modern remains one of the most popular, collectable, and dynamic styles of international design. This gift book features original illustrations of iconic mid-century designs, from Eames chairs to Poul Henningsen lamps and George Nelson clocks, all rendered in a distinctive graphic style. Featuring more than 90 pieces by over 60 designers and design duos, Mid-Century Modern: Icons of Design is arranged chronologically, and includes chairs, tables, storage, lighting, and product and industrial designs. On each spread, a stylish illustration of the piece is accompanied by a concise overview; an index of models, designers and manufacturers makes the book a useful reference. Inspired by one of the most iconic eras of modern design, this covetable gift book brings a touch of Mid-Century Modern style into any home.

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The kitchen updates remain true to the home’s midcentury character. Terrazzo tiles are used throughout the home.

Photo: Dan Chavkin

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Cherner Stool

Constructed of laminated wood of graduating thicknesses, from 5 ply at the seat edge to 15 ply at the slender waist, the Cherner Stool (1958) possesses exceptional structural strength and dramatic sculptural beauty. It's braced with a solid steel crossbar that also serves as a comfortable footrest. This is the authentic Cherner Stool made by the Cherner Chair Company. Made in U.S.A.

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Cavaliere-Euro 900 CFM 36 Inch Wide Island Mounted Range Hood

Features: Island Mounted Low Noise Dual Chamber Centrifugal Motor Six Speed Touch Sensitive Controls with Blue LED Lighting Constructed from High Quality 19 Gauge Stainless Steel 30 Hour Cleaning Reminder with Programmable Delayed Auto Shut Off (1-15 Minutes) 4x 35W Dimmable Halogen Lighting Optional Recirculating Conversion Kit (Sold Separately, See Model RECIRC-IM) Dishwasher Safe Aluminum Grease Filter Included Optional Baffle Filter Upgrade (Sold Separately, See Model B2-36/I36) Duct cover extension available for ceilings up to 10' (sold separately) Photo Courtesy of Build.com

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Vitra Eames House Bird

The Eames House Bird rose to stardom in the 1950s when Charles and Ray Eames pulled it from their own living room and positioned it with a group of Eames DKR chairs for a poster. This masterfully simplistic black bird (circa 1910) with tapered beak and sleek tail was one of their most prized objects of folk art. In cooperation with the Eames family, Vitra used 3-D scans of the original to create the solid alder wood reproduction. Made in Germany.

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Bedroom

The interior of the Menrad residence, with a raised ceiling and glass walls. "The house felt like the ultimate expression of what postwar residential architecture in California was all about," resident Chris Menrad writes in the book.

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Knoll Saarinen Side Table

Architect Eero Saarinen was a genius at creating expressive sculptural forms. From his TWA Terminal (now the TWA Hotel) at New York’s JFK Airport to the Gateway Arch in St. Louis to his Pedestal Table (1956), there’s a magic in everything he created. The Saarinen Table began with his observation that “the underside of typical tables and chairs makes a confusing, unrestful world,” and as he explained in a 1956 Time magazine cover story, he was designing a new collection to “clear up the slum of legs in the U.S. home.” Later that year, he completed the Pedestal Table, which stands on a gracefully shaped cast-aluminum base inspired by a drop of high-viscosity liquid. This is the authentic Pedestal Table by Knoll; it’s stamped with the KnollStudio logo and Eero Saarinen’s signature. Tabletop made in Italy or U.S.A., depending on material.

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Fritz Hansen Swan Chair

Designed for the SAS Royal Hotel in Copenhagen, for which designer Arne Jacobsen was the architect, the Swan Chair (1958) permitted guests to spin on its swivel base, thus becoming active participants in the busy hotel atmosphere. Now made of polyurethane foam, it’s marked by its flowing organic shape. A single upholsterer hand-sews the fabric onto the frame. Original design and licensed manufacture by Republic of Fritz Hansen. Made in Poland.

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Design Within Reach Sonno Pillow

If you ask any chiropractor what kind of pillow he or she sleeps on, the answer will most likely be memory foam, the reason being that this material comfortably supports your head, neck and shoulders in a natural position, which leads to deeper, more restful sleep. Featuring a memory foam insert, the Sonno Pillow is available in two profile heights: thin for back and stomach sleepers, thick for side sleepers. Every Sonno Pillow meets OEKO-TEX® certification, which guarantees the absence of toxic and noxious substances. Includes removable polyester cover for easy cleaning. Made in Italy. Thin pillow is for back and stomach sleepers. Thick pillow is for side sleepers. Photo Courtesy of Design Within Reach

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The master bedroom.

Photo Courtesy of Compass Realty

William Krisel designed the Ocotillo Lodge, a hotel that features a number of his signature design moves: post-and-beam construction, walls of glass, and seamless indoor/outdoor connections. Pictured here is one of the hotel’s bungalows.

Outdoor

The rear patio was refreshed with new concrete pavers. A strip of grass accents the perimeter of the pool and hot tub. The boulders by the hedge are all that remain of a previous owner’s rock grotto.

Photo: Joe Schmelzer

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Knoll Bertoia Side Chair

Featuring delicate filigreed construction that's supremely strong, the airy seats of the Bertoia Seating Collection (1952) are sculpted out of steel rods and have a relaxed sit. The collection was an experiment with open forms and metal – an extension of Harry Bertoia's work in sculpture – and remains one of the most iconic contributions to modern furniture design. This is the authentic Bertoia Chair produced by Knoll. A sign of authenticity, the Knoll logo is stamped into its base. Chair made in Italy, seat pad made in U.S.A.

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Poolside Glamour by Slim Aarons Art Print

A desert house designed by Richard Neutra for Edgar J. Kaufmann, Palm Springs, California, January 1970. Lita Baron approaches, while in the foreground Nelda Linsk (right) wife of art dealer Joseph Linsk, is talking to her friend, Helen Dzo Dzo. (Photo by Slim Aarons/Getty Images)

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William Krisel’s Palm Springs: The Language of Modernism

This first major monograph chronicling the work and architectural philosophy of William Krisel features examples and insights from Krisel's own papers, culled from his personal collection as well as the extensive archives of the Getty Research Institute. Krisel's architectural drawings and renderings, as well as many archival photographs, highlight examples of his custom homes, mass-produced housing, and recreational facilities in Palm Springs and rest of the Coachella Valley. Publisher: Gibbs Smith Photo Coutresy of Gibbs Smith

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A look at the pool area of Steel House #2. Each major room features floor-to-ceiling glass panels and sliding doors that are all eight feet high.

Homeowner Jay Longtin served as the general contractor and performed the majority of the remodel work, aside from the outdoor floors, concrete, and pool, which were done by Architectural Blue.

Photo by James Butchart

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Palm Springs Poster Retro Travel by Jim Zahniser Wall Art

Take a permanent vacation to fabulous Palm Springs with this Pop Art print by Red Robot! A great gift for a hometown resident or a friend that's moved away. Photo Courtesy of Pixels

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California Captured: Mid-Century Modern Architecture

The style and mythology of Mid-Century Modern California architecture as seen through the expert lens of Marvin Rand. Los Angeles photographer Marvin Rand created iconic images of some of the most celebrated architectural creations of his time, photographing buildings by the likes of Modernist masters Craig Ellwood, Louis Kahn, and Frank Lloyd Wright to capture the essence of their work - and, in doing so, played a critical role in shaping the Mid-Century California style now worshiped the world over. The discovery of Rand's archive has brought a treasure trove to life, and California Captured showcases it - and the period - as never before.

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The vantage point of the famed "poolside gossip" photo that made Richard Neutra's Kaufmann House so well-known.

Exterior

Seen today, it’s hard to imagine that Jessy Moss and Steve Jocz’s glistening white home in Indian Wells, California, was marketed as a teardown only two years ago. Sparing it the wrecking ball, Jessy, an interior designer who used to be a singer/songwriter, and Steve, a realtor who was once a member of the band Sum 41, embarked on a restoration. During the project, they uncovered evidence that the home might be an unrecognized work by iconic architect William F. Cody. The circular pavers in the driveway, replicas of originals, are strikingly similar to those Cody used for another midcentury motor court.

Photo: Joe Schmelzer

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Design Within Reach Neutra Modern House Numbers

In 2001, renowned design studio House Industries partnered with the estate of late architect Richard Neutra – whose notable projects include the Kaufmann House (1947) in Palm Springs, the Lovell Health House (1929) in Los Angeles and the Kronish House (1955) in Beverly Hills, among others – to create a set of fonts based on the geometric letterforms Neutra specified for many of his residential houses and commercial buildings. The resulting font family, Neutraface, became an integral part of the new millennium’s typographic landscape. Rendered directly from the Neutraface outlines, precision-crafted Neutra House Numbers (1930s) bring a piece of the Neutra aesthetic to any residential or commercial space. Designed for visibility, these robust house numbers mount approximately 0.75" off the wall to cast subtle shadows. Each includes extensive installation instructions and a full-scale drilling template to eliminate any guesswork, and the mounting hardware is hidden when installed properly. Made in China.

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Desert House Party by Slim Aarons Art Print

Desert House Party art print by Slim Aarons. Our prints are produced on acid-free papers using archival inks to guarantee that they last a lifetime without fading or loss of color. All art prints include a 1" white border around the image to allow for future framing and matting, if desired. Photo Courtesy of Pixels

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Mid-Century Modern: Icons of Design

This gift book, featuring sophisticated illustrations of classic pieces, is a must- have for lovers of Mid-Century Modern design. Mid-Century Modern remains one of the most popular, collectable, and dynamic styles of international design. This gift book features original illustrations of iconic mid-century designs, from Eames chairs to Poul Henningsen lamps and George Nelson clocks, all rendered in a distinctive graphic style. Featuring more than 90 pieces by over 60 designers and design duos, Mid-Century Modern: Icons of Design is arranged chronologically, and includes chairs, tables, storage, lighting, and product and industrial designs. On each spread, a stylish illustration of the piece is accompanied by a concise overview; an index of models, designers and manufacturers makes the book a useful reference. Inspired by one of the most iconic eras of modern design, this covetable gift book brings a touch of Mid-Century Modern style into any home.

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This updated 1957 home in the Twin Palms Estate features the subdivision’s signature palm trees front and center.

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