The large entrance typical of 1930s apartments is a sort of decompression chamber between the outside and the inside world. Its identity is immediately manifested throughout a natural coexistence of different styles and eras.
The design of the flooring was conceived from the entrance. It was decided to use a cementine covering to keep the typical atmosphere of the time intact, freeing itself from a classic orthogonal arrangement and creating directionality and trajectories with a precise stylistic choice: a diagonal, continuous and broken, which directs almost as in a map to the focal point of the house, the hall, the heart of life lived in the private and social dimension.

Giogali blown glass chandelier by Vistosi, design Angelo  Mangiarotti, 1972.
Fornasetti plates, Portuguese handcrafted ceramics)
Cementine by Romano Pavimenti
The large entrance typical of 1930s apartments is a sort of decompression chamber between the outside and the inside world. Its identity is immediately manifested throughout a natural coexistence of different styles and eras. The design of the flooring was conceived from the entrance. It was decided to use a cementine covering to keep the typical atmosphere of the time intact, freeing itself from a classic orthogonal arrangement and creating directionality and trajectories with a precise stylistic choice: a diagonal, continuous and broken, which directs almost as in a map to the focal point of the house, the hall, the heart of life lived in the private and social dimension. Giogali blown glass chandelier by Vistosi, design Angelo Mangiarotti, 1972. Fornasetti plates, Portuguese handcrafted ceramics) Cementine by Romano Pavimenti