A series of long stairs leads to Maison Amtrak, which is set below street level. The entranceway demonstrates Cohen’s love of Japanese design with a geometric simplicity matched only by the formal elegance of the stained Douglas fir two-by-fours.
A series of long stairs leads to Maison Amtrak, which is set below street level. The entranceway demonstrates Cohen’s love of Japanese design with a geometric simplicity matched only by the formal elegance of the stained Douglas fir two-by-fours.
Suzanne and Brooks Kelley at the back of their 1,100-square-foot guest cottage.
Suzanne and Brooks Kelley at the back of their 1,100-square-foot guest cottage.
Pastel blue tile and Driklolor paint in the soft, pink Pillow hue add a touch of playfulness to the kid’s bathroom. A Flower Pot pendant light from Verner Panton hangs above the round mirror and wall-mount faucet.
Pastel blue tile and Driklolor paint in the soft, pink Pillow hue add a touch of playfulness to the kid’s bathroom. A Flower Pot pendant light from Verner Panton hangs above the round mirror and wall-mount faucet.
The couple initiated the renovation, despite not knowing much about Rummers, or remodeling. “We were novices,” says Fay, who researched the architectural features of Rummers to be able to restore its key features, like the roofline.
The couple initiated the renovation, despite not knowing much about Rummers, or remodeling. “We were novices,” says Fay, who researched the architectural features of Rummers to be able to restore its key features, like the roofline.
A centuries-old blue oak stands near the intersection of the two wings of the house, which is clad in Alaskan yellow cedar. “We decided to split the house into two volumes to let in light and allow us to be more nimble with where we placed the structures.” Jess Field, the architect.
A centuries-old blue oak stands near the intersection of the two wings of the house, which is clad in Alaskan yellow cedar. “We decided to split the house into two volumes to let in light and allow us to be more nimble with where we placed the structures.” Jess Field, the architect.
"The tiny home is parked in a forest, where there's an old stone quarry," Anna says. "The land belongs to our friend Andy, who suggested we build outdoor tables with some of the boulders."
"The tiny home is parked in a forest, where there's an old stone quarry," Anna says. "The land belongs to our friend Andy, who suggested we build outdoor tables with some of the boulders."
A wood walkway connects the two volumes.
A wood walkway connects the two volumes.
In Malinalco, Mexico, Casa Mague by <span style="font-family: Theinhardt, -apple-system, BlinkMacSystemFont, &quot;Segoe UI&quot;, Roboto, Oxygen-Sans, Ubuntu, Cantarell, &quot;Helvetica Neue&quot;, sans-serif;">Mauricio Ceballos X Architects </span><span style="font-family: Theinhardt, -apple-system, BlinkMacSystemFont, &quot;Segoe UI&quot;, Roboto, Oxygen-Sans, Ubuntu, Cantarell, &quot;Helvetica Neue&quot;, sans-serif;">draws inspiration from the region’s Aztec heritage. “Piramide de Malinalco, one of only three carved pyramids in the world, is part of the town’s daily life,” explains the firm’s director and founder, </span><span style="font-family: Theinhardt, -apple-system, BlinkMacSystemFont, &quot;Segoe UI&quot;, Roboto, Oxygen-Sans, Ubuntu, Cantarell, &quot;Helvetica Neue&quot;, sans-serif;">Mauricio Ceballos Pressler</span><span style="font-family: Theinhardt, -apple-system, BlinkMacSystemFont, &quot;Segoe UI&quot;, Roboto, Oxygen-Sans, Ubuntu, Cantarell, &quot;Helvetica Neue&quot;, sans-serif;">. “The inhabitants feel proud of their Aztec roots.” To honor them, and in direct reference to the nearby pyramid, an exterior living area adjacent to the pool in the first slide features a curved and stepped wood wall. To more broadly echo a Mesoamerican worldview, Pressler designed each room of the 2,906-square-foot home to feel as if it’s woven into the landscape. “Trees have ritual meaning,” he explains. “The roots symbolize the connection to the underworld, the trunks symbolize the earthly human life, and the branches symbolize the connection with the Gods.”</span>
Mauricio Ceballos X Architects
This home that was built atop of home constructed in World War I is completely reimagined by Daniel Rabin and Annie Ritz of local architecture and design firm And And And Studio. Details like fluted white cabinetry in the kitchen give this LA home a posh look.
This home that was built atop of home constructed in World War I is completely reimagined by Daniel Rabin and Annie Ritz of local architecture and design firm And And And Studio. Details like fluted white cabinetry in the kitchen give this LA home a posh look.
The half-wall that divides the living room and dining room is walnut, and was a clever way to separate the living and dining zones, and wrap the structural posts, which were painted a dark grey. There’s a television lift inside the cabinet that allows the TV to be stowed when not in use. The couch is from Design Within Reach, and the flooring throughout is white oak.
The half-wall that divides the living room and dining room is walnut, and was a clever way to separate the living and dining zones, and wrap the structural posts, which were painted a dark grey. There’s a television lift inside the cabinet that allows the TV to be stowed when not in use. The couch is from Design Within Reach, and the flooring throughout is white oak.
A midcentury-style walnut screen separates the entry from the living room, yet allows connection with its permeability.
A midcentury-style walnut screen separates the entry from the living room, yet allows connection with its permeability.
The atrium is a lovely place to sit outside while still being somewhat protected.
The atrium is a lovely place to sit outside while still being somewhat protected.
Sited on a remote, forested plot two hours from San José, Costa Rica, this home was designed with spiritual transcendence in mind—along with off-grid sustainability. When architect María de la Paz Alice of <span style="font-family: Theinhardt, -apple-system, BlinkMacSystemFont, &quot;Segoe UI&quot;, Roboto, Oxygen-Sans, Ubuntu, Cantarell, &quot;Helvetica Neue&quot;, sans-serif;">Mazpazz Arquitectur</span><span style="font-family: Theinhardt, -apple-system, BlinkMacSystemFont, &quot;Segoe UI&quot;, Roboto, Oxygen-Sans, Ubuntu, Cantarell, &quot;Helvetica Neue&quot;, sans-serif;">a first saw the plot in the mountains of Palmichal de Acosta, she was skeptical due to its inaccessibility. Luckily for the client—a film producer and ocean conservationist who dreamed of a place where she could disconnect—the architect was game to take on the project. Casa Salvaje, or Wild House, is an entirely autonomous stone-and-concrete home that uses geometric openings to frame its tranquil surroundings. Teaming up with interior designer Ileana Guerrero—who worked with local artisans to craft custom furnishings for the living spaces—and landscape designer Jorge Salgado, the project is a breathtaking example of architecture that connects to the earth. The home’s entrance, which the architect refers to as “the vortex,” takes the form of a concrete cube with two prominent circular openings. Crystals encrusted in the floor capture and reflect the light that passes through the overhead oculus from the sun and moon. “As you walk in, the circular window framing the mountain view is the focal point, and the sky window above immediately connects you to your surroundings,” says the architect. “I strive to create spaces that will benefit and expand people emotionally and spiritually, just as much as they do aesthetically.”</span>
Mazpazz Arquitectur
"There are so many things Michael considered that make the space quite incredible to be in," Clint says. Case in point: the bathrooms. "They’re small spaces, so if you want to do something wacky, that’s the place," adds Lumby. The downstairs bathroom features a sink with a Crestial faucet in the windowsill. Water runs down an angled pane and into the garden.
"There are so many things Michael considered that make the space quite incredible to be in," Clint says. Case in point: the bathrooms. "They’re small spaces, so if you want to do something wacky, that’s the place," adds Lumby. The downstairs bathroom features a sink with a Crestial faucet in the windowsill. Water runs down an angled pane and into the garden.
Inspired by a homesteading commune he documented in Western North Carolina, photographer Mike Belleme built the Nook, a minimalist retreat in the woods that draws from both Japanese and Scandinavian design. He foraged much of the wood for the 400-square-foot cabin. "Every kind of wood has a certain mood and personality," he says. The exterior features an entranceway of oak blackened in the traditional Japanese method known as shou sugi ban.
Inspired by a homesteading commune he documented in Western North Carolina, photographer Mike Belleme built the Nook, a minimalist retreat in the woods that draws from both Japanese and Scandinavian design. He foraged much of the wood for the 400-square-foot cabin. "Every kind of wood has a certain mood and personality," he says. The exterior features an entranceway of oak blackened in the traditional Japanese method known as shou sugi ban.
The deck, fashioned from ipe, was built around one of the property’s many granite outcroppings. An earthen roof was planted with the same varieties of sedum that were added to the front of the cottage.
The deck, fashioned from ipe, was built around one of the property’s many granite outcroppings. An earthen roof was planted with the same varieties of sedum that were added to the front of the cottage.
A guest bedroom, with furniture from Room & Board, overlooks the bridge above the dining courtyard. The home’s landscape architecture is by Ventura, California–based Jack Kiesel. Photo by Coral von Zumwalt.
A guest bedroom, with furniture from Room & Board, overlooks the bridge above the dining courtyard. The home’s landscape architecture is by Ventura, California–based Jack Kiesel. Photo by Coral von Zumwalt.
Visiting a Manhattan apartment designed by Tim Seggerman is like sitting inside one of Nakashima’s cabinets, a metaphor realized most fully in an ingenious "library"—really a glorified cubby with a banded maple ceiling, conjured from a free space adjacent to the loft bed.
Visiting a Manhattan apartment designed by Tim Seggerman is like sitting inside one of Nakashima’s cabinets, a metaphor realized most fully in an ingenious "library"—really a glorified cubby with a banded maple ceiling, conjured from a free space adjacent to the loft bed.
The picture wall is adorned with images collected from family, colleagues, and estate sales. ”I kill plants, so cacti are our friends,” Peter says of the succulents along the low table behind the Design Within Reach sofa, just over which an Established & Sons Font clock keeps time.
The picture wall is adorned with images collected from family, colleagues, and estate sales. ”I kill plants, so cacti are our friends,” Peter says of the succulents along the low table behind the Design Within Reach sofa, just over which an Established & Sons Font clock keeps time.
A section of the facade—a cross between a shoji screen and a barn door—slides open. Planter boxes contain edible varieties that fuel Mary’s culinary explorations.
A section of the facade—a cross between a shoji screen and a barn door—slides open. Planter boxes contain edible varieties that fuel Mary’s culinary explorations.
Garden terrace
Garden terrace
Oak lines the interior for a tactile surprise, and the marble counter echoes the marble on the island and perimeter counters.
Oak lines the interior for a tactile surprise, and the marble counter echoes the marble on the island and perimeter counters.
When the casement windows are opened, family members can bask in sunlight while reading a book indoors.
When the casement windows are opened, family members can bask in sunlight while reading a book indoors.
Classic Ceramics wall tiles are combined with Caroma Cube ceramic basins in the bathrooms.
Classic Ceramics wall tiles are combined with Caroma Cube ceramic basins in the bathrooms.
In the kitchen, a crisp white VOD tap pops against the warm plaster walls.
In the kitchen, a crisp white VOD tap pops against the warm plaster walls.
Inside & outside
Inside & outside

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