The Woodbury University Hollywood Outpost (WUHO) has a pop-up installation in the Design For Tomorrow pavilion, which features student work. WUHO showcased faculty, alumni, and student work from the Woodbury School of Architecture, including Somewhere Something by Jason King with Justin Owens and Robert Mehring.

The glass-enclosed master bedroom floats above the corrugated, oxidized steel exterior.

Wakeland goes to work on the garden terraces where the couple grows much of their own food.

This "local prefab" home on the Isle of Skye is made mostly from materials sourced in northern Scotland. The timber-framed model, meant to evoke the simple agrarian barns of the area, can be constructed on-site in as little as a day and is designed for affordability.

Black and white kitchen cabinets painted with a triangular pattern add a whimsical touch to this funky kitchen.

Moreland House

Architect Tamira Sawatzky and artist Elle Flanders get an awfully good view of their busy Toronto street from their office and dining room.

The table is by Made, the sneaker-inspired Shoe Toss pendants are by Jeremy Hatch of Ricochet Studio, and the laser-cut photo on the wall is by the couple’s collective art and design practice, Public Studio.

In the living quarters of Lightroom 2.0, Carpenter’s daughter Esme chats with her boyfriend, who is seated on a Milo Baughman Case Sofa.

In a corner of the warehouse, the Heathrow limestone clads the walls.

Lightroom 2.0 was inspired by artists’ lofts and Decatur’s industrial past. The gallery floors are polished concrete and the exposed joists are Georgia-Pacific engineered lumber.

The designer at work.

Sasaki at work.

One of photographer Gabriela Herman's "Bloggers."

When Abbie and Bill Burton hired Marmol Radziner to design their prefab weekend home, their two requests were “simple-simple, replaceable materials,” says Abbie—such as concrete floors (poured offsite in Marmol Radziner's factory) and metal panel siding—and “the ability to be indoors or outdoors with ease.” Deep overhangs provide shade and protection from rain, so the Burtons can leave their doors open year-round and hang out on their 70-foot-long deck even in inclement weather. They visit the house once a month, usually for a week at a time, with Vinnie and Stella, their rescue Bernese Mountain dogs. Their two adult children occasionally join them. The couple hopes to one day retire here.

Moreland House

After a 40-year-old pine tree fell over on a Brentwood estate in Los Angeles, the owner let it lie, and the continued to grow from its newfound horizontal position. He decided to incorporate it into a 172-square-foot office and guest house with the structure floating above the tree. Around the perimeter of the butterfly roof is a clerestory that gives the illusion that the roof is floating.

On the lower roof, cedar decking and flower beds define one of several outdoor gardening spaces. Part of her ongoing research into the livability of cities, Fitzgerald aimed to create landscaped areas that were “aesthetic, aromatic, educational, and productive.” The deck is bordered by an expanded aluminum mesh railing and black metal corrugated panels.

Challenged by the dimensions of the narrow lot, the team worked through significant programmatic and logistical constraints during the design and construction process. The final concept for the layout was a modern take on the side hall plan. The living spaces are stretched back deep into the lot, and strategically raised above grade to allow sunlight to penetrate into multiple living spaces. The multifunctional courtyard serves as outdoor workspace, gardening area, children's play area, and covered parking during winter months.

Carpenter kicks back on an IKEA outdoor sectional on the sealed-pine roof deck of Lightroom 2.0. A collection of vintage Tulip armchairs by Eero Saarinen surround a “Jetsons-inspired” fireplace from the 1970s found online.

Designer and blogger Christian May of Maison21, with his Black Crow pillow.

The concrete wall mimics the slope of the hill outside as a reference to early Maori structures that were dug into the land. The simple kitchen has strandboard cabinetry and an MDF island that conceals a fireplace at one end. The ceramic works on the built-in seat at right are by Raewyn Atkinson and Robyn Lewis.

After living on and studying a woodsy acre of land in North Zealand, Denmark, architect Jesper Brask cleared a stand of pine trees and, from the timber, built a getaway open to its surroundings. The house, which Brask shares with his wife, Lene, and sons, Kristian, Jens, and Niels, is used mainly in summer, when the weather is optimal for throwing open the glass doors.

Pro and Con(crete) For Whitlock, using concrete for the first floor was an inexpensive alternative to stone, wood, or tile. “I just poured the foundation and it gave me my finished floor,” Whitlock says. “Way simpler!”

Another work by Nagel.

Fixed Studio Work Stool, $385.

Site work in progress.

Currently, Kcymaerxthaere is raising funds via Indiegogo to translate the stories into nine additional languages, collect them in a book, and send them to schools and libraries in the communities where markers are located.

Positioned on the ground floor, the office enjoys spacial privacy, while still having intimate interaction with the living area above and common courtyard.

Mami and Goo the Kishu dog return from a frolic in the forest, which the couple, along with Hideaki, has thinned and trimmed back over many weekends. It’s an idyllic escape and a world away from the concrete expanse of Tokyo.

In Seattle's rapidly developing South Lake Union neighborhood, the Art Stable is a classic example of urban infill. Built on the site of a former horse stable, the seven-story mixed-use building carries its history into the future with highly adaptable live/work units.

Textured concrete walls are a signature of Cho’s work.

The 52-foot-high roof deck overlooks Decatur Square. “The building may appear as an object, but someday, it’ll become the backdrop as all of it develops,” Carpenter says. The structure shares the lot with a 1920s bungalow containing a therapist’s office that abuts the first-floor gallery, as well as Lightroom 1.0.